
It made me think that if I had acted so repetitively with my composition to convey how I interpreted the scene, I must have done it before, which sparked these series of diptychs. All of these were taken weeks or months apart from each other (except the lips) and I did not realize my repetitiveness until I put the two frames side by side. I think they prove how repetitive we are as humans. Not only were situations and reactions being repeated in front of me, but as a photographer my brain recognized and was attracted to the same moments in both situations.

The first procession was a theatre rehearsal, the second was real (a former track coach who wanted a final lap). Both were very bizarre to me, so I tried to keep the environment clear in the frame to convey the strangeness -





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